Harmony

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Fri, 17 May 2013 19:59:48 -0400

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The latest from emmys (@emmys).

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Fri, 17 May 2013 19:58:51 -0400

"I knew a guy who was dyslexic, but he was also cross-eyed, so everything came out right."

Fri, 17 May 2013 19:58:48 -0400

“I knew a guy who was dyslexic, but he was also cross-eyed, so everything came out right.”

- (via 47-47)

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zanessalove4ever: Effing raddd! “@TheAtlTwins: Fuckin Amazing...

Fri, 17 May 2013 19:58:25 -0400

zanessalove4ever:

Effing raddd! “@TheAtlTwins: Fuckin Amazing Dan Colen Peice made out of Bubble Gum in Harmony Korines House!

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Fri, 17 May 2013 19:58:15 -0400

throughascreendarkly: Julien Donkey-Boy (Harmony Korine, 1999)

Fri, 17 May 2013 19:57:57 -0400

throughascreendarkly:

Julien Donkey-Boy (Harmony Korine, 1999)

throughascreendarkly: Julien Donkey-Boy (Harmony Korine, 1999)

Fri, 17 May 2013 19:57:49 -0400

throughascreendarkly:

Julien Donkey-Boy (Harmony Korine, 1999)

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on—loop: A cultural mash-up of gangsters, Disney girls...

Fri, 17 May 2013 19:57:13 -0400

on—loop:

A cultural mash-up of gangsters, Disney girls gone bad, ATL twins, bad ass tattoos, it’s Britney ‘Bitch’ sing-a-longs, with a Skrillex soundtrack to boot.

Harmony Korine [Director] of Spring Breakers best described it as ,”a film that feels like it’s lit with candy…using Skittles for lights and Starburst chews for lenses, it’s unrelenting, beautiful and bombastic.”

Skittle me up!

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Fri, 17 May 2013 19:56:57 -0400

pinchigato: “Break it, Scrape it, Lick it, Dump it… Smoke...

Mon, 13 May 2013 18:41:17 -0400

pinchigato:

“Break it,

Scrape it,

Lick it,

Dump it…

Smoke it”

-KIDS

Harmony Korine and Chloe Sevigny on the set of Gummo (1997).

Mon, 13 May 2013 18:41:01 -0400

Harmony Korine and Chloe Sevigny on the set of Gummo (1997).

paradoxicalsentiments: Eggleston and his son Winston drove from...

Mon, 13 May 2013 18:40:54 -0400

paradoxicalsentiments:

Eggleston and his son Winston drove from Memphis to Nashville to hang out with writer, photographer, and filmmaker Harmony Korine. They sat on Korine’s porch to talk.

HK: For your early photos, did you know that there was a unique aesthetic quality around you?

WE: I don’t think I thought that way.

HK: It was just taking pictures of what was around?

WE: Yes, what was there at the time.

HK: Do you always have a camera with you?

WE: Not always. Almost always. If not on me or in the glove compartment, then at least in my bag.

HK: Have there been times in your life when you wished you had a camera?

WE: Yes, but I don’t dwell on them because they pass in an instant.

HK: Are there any particular images that you’ve never been able to get out of your head?

WE: Not that I can think of. I’ve also never had favorite pictures. Or subjects. I have this discipline of treating everything equally-I used to say “democratically.”

HK: If you had to choose between being blind or being deaf, which one would you choose?

WE: Don’t know. I don’t have any experience with that, except for my color blindness.

HK: But if you were forced to make the decision.

WE: I think with being blind the one thing you would have going is that you could still feel things, see your way around so to speak. And if you had had the experience of seeing at one time in your life, then you would know what it was like and be able to function. I’ve said this before, I think I could really photograph blind if I had to.

HK: It would be possible to photograph blind?

WE: I quite frequently don’t look through the camera, which is very close to being blind.

William Eggleston interviewed by Harmony Korine: because some things just make sense